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Ben Brantley of the New York Times calls it a "nimble new version...that invites fresh comic shadings, pushes that sense of the incongruous not so much into farce (although there’s some of that) as into 'Alice in Wonderland' absurdity."
Terry Teachout has a review in the Wall Street Journal.
The review in Variety says: "The chief strengths of Stoppard's adaptation are its conversational ease and erudite humor, but there's a slight chill to the playwright's gaze that undercuts the melancholy strains of a great Chekhov production."
The New York Daily News also likes the production.
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